What is the central idea of your concentration?
The central idea of my concentration is the life lessons people learn from the famous and heartwarming Disney movies. My whole childhood was built off of these movies and helped me love myself and the world around me even more than I did before. From Snow White to Monsters University, each movie holds some diversity in morals.
How will the work in your concentration demonstrate the exploration of your idea?
For each little life lesson, I hope to create a scene or design that portrays it. I wish to give them a magical aura like how each movie has touched my heart in a magical way.
Saturday, October 19, 2013
Monday, September 30, 2013
Shape/Volume
How is the illusion of volume created in the shapes?
They appear to take up a certain amount of space.
Can you identify additional volumetric shapes in other areas of the composition?
Rectangular prism
How are these basic shapes altered in each work?
Their positions change and so did their colors.
How do these alterations add interest to the composition?
They give it more depth, perspective and attraction.
Saturday, September 21, 2013
Shape
Aaron Douglas
She uses similar shapes to coincide together to create another image through the combined shapes.
He uses the shape of the fingers to display the gentle yet intimate touch of the human beings.
He uses the shapes to create the transition from one animal to the next, showing that they are actually similar in shape.
He uses many intricate shapes to create an overall piece, some shapes more repeated than others.
He uses an abstract form of shapes to create a collage of many different objects.
She uses more free formed shapes to create and image that doesn't really look like anything relate-able.
He uses many colorful shapes, very closely conjoined together, to create a story through the artwork.
He uses shape in a very simplistic way and the shapes are just blades or grass and it's all in black and white for contrast.
Robert Moskowitz
He uses shape in the form of a body part. It's a positive and negative interpretation of an arm and a hand.
Charles Demuth
He uses the shapes to overlap each other, giving it a more feeling of depth rather than just being 2D.
He uses shape to create a horizon-like scenery and the shape of the man's head instead of the sun.
Romare Beardon
He uses shape to create a collage of a story, which he tells with the specific way he placed the cut out shapes.
He uses abstract shapes overlapped on each other to create a colorful and dynamic piece.
He uses distinct shapes to define the body of the men but also enhances the size and color to define the importance of it.
Elizabeth Murray
She uses similar shapes to coincide together to create another image through the combined shapes.
Bill Brandt
He uses the shape of the fingers to display the gentle yet intimate touch of the human beings.
M.C. Escher
He uses the shapes to create the transition from one animal to the next, showing that they are actually similar in shape.
David McNutt
He uses many intricate shapes to create an overall piece, some shapes more repeated than others.
Robert Rauschenberg
He uses an abstract form of shapes to create a collage of many different objects.
Helen Frankenthaler
She uses more free formed shapes to create and image that doesn't really look like anything relate-able.
Wassily Kandinsky
He uses many colorful shapes, very closely conjoined together, to create a story through the artwork.
Ansel Adams
He uses shape in a very simplistic way and the shapes are just blades or grass and it's all in black and white for contrast.
He uses shape in the form of a body part. It's a positive and negative interpretation of an arm and a hand.
He uses the shapes to overlap each other, giving it a more feeling of depth rather than just being 2D.
Sidney Goodman
He uses shape to create a horizon-like scenery and the shape of the man's head instead of the sun.
He uses shape to create a collage of a story, which he tells with the specific way he placed the cut out shapes.
Jasper Johns
He uses abstract shapes overlapped on each other to create a colorful and dynamic piece.Monday, September 16, 2013
Sunday, September 8, 2013
Saturday, September 7, 2013
Line
Alberto Giacometti
He uses simple lines to separate shape from the solid color.
He uses a variety of lines from thick to thin and dark to light to give his painting more depth.
He uses more free lines to describe and then enhance the shapes and features he desires.
Walt Disney Mickey Mouse Action Sketches
He uses more elaborate lines where action is present to display Mickey throwing the ball.
Barnett Newman
He uses simple lines to separate shape from the solid color.
Wu Guanzhong
He uses a variety of lines from thick to thin and dark to light to give his painting more depth.
Tawaraya Sotatsu
He uses straight and wavy lines to give the plants more movement and length.
David Mach
He uses lines to create a face and figure in the places where lines are more concentrated.
Michelangelo
He has soft strokes for lines to give a fluffy texture to the beard and give definition to the face and clothes.
Jackson Pollock
He uses a variety of lines to give a more abstract display and design.
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